Kristen Otte

Finding Love and Laughter through Story

Writing With No Theme in Mind – A Zelda Pug Case Study

3 Comments

When I began writing The Adventures of Zelda, I had no theme in mind. I knew I had a story to tell, but I didn’t know where the story would go or what readers could learn from a pug named Zelda. As the first book came to life, themes and messages began seeping through the pages.

Zelda’s first book is a story of a new beginning- a second chance. In the background of Zelda’s adventures and humorous endeavors is a story of love, family, and friendship.

As an example, let’s take Zelda’s encounter with Vacuum in chapter three of The Adventures of Zelda: A Pug Tale. In the chapter, Zelda perceives Vacuum as a threat to her home and to Hannah. Zelda knows she has to take action and so she manages to rip off Vacuum’s arm and hide it in the basement. Zelda’s love for her family drives her to take action against Vacuum.

When I started writing the vacuum chapter, I had no idea this sort of message would seep through the words. I just wanted to tell a funny story about a pug and a vacuum. A good story can become great when a writer manages to insert themes and messages behind the story (intentionally or unintentionally).

I think most writers are like me. (But I could be completely off base). We write a story and as the story comes to fruition, themes begin to infiltrate the pages. The story takes a turn and forgiveness becomes important in the novel even though it was never in the outline.

For the writers out there, do you write with theme in mind?

For the readers, what themes do you see often in the books you read? 


What theme spoke to you when you read the Adventures of Zelda?

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3 thoughts on “Writing With No Theme in Mind – A Zelda Pug Case Study

  1. For sure, my themes emerge as I write, and they are informed by the things I experience as I write.

  2. I have just started writing, I saw this and thought, this is me. Themes though are tricksy things. I never have one in mind, I go from chapter to chapter without anything guiding me. Dictates of the story, a plot, pacing these are the things I worry about.
    The reader will pick up all sorts of things that you never realised you put there, like any form of art, its personal

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